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Their distinctive clean sound and preferred choice of European groups for remixing and editing, saw them capture the club sound of the newly born MTV generation. Tweaked or completely new versions of songs allowed the club DJs to give dancers a unique aural experience. Appearing at the tail end of these disco forbears, Razormaid! This San Francisco-based label took the remix service mantle forward as clubbing embraced the new wave, synth pop and electronic sounds emerging mainly out of Europe. In the hands of Joseph Watt and Art Maharg, the label released s of special club versions over and above regular releases, helping to create the soundtracks for clubs like the infamous Starck in Dallas that they claimed as their own. It was no surprise therefore, when bigger labels came calling for the Razormaid seal of approval. The untimely death of Art in , saw Joseph continue providing the remixing service in to the next decade but things had moved on.
The Vinyl Factory Newsletter
The euphoria of the disco years were replaced by the uncertainty and loss suddenly brought on by the outbreak of the AIDS epidemic. This is the story of Razormaid! These were boutique outfits, with names like Disconet , Hot Tracks , Art of Mix , and Mix-It, that had a symbiotic relationship with dance music labels. It also pushed a different kind of sound. Are you like some big hotshot DJ from Miami or Paris?